Tennesota

Description

Tennesota is the second collaboration project by the American singers and songwriters Beki Hemingway and Jonathan Rundman, independently released on Salt Lady Records in 2004.

What a neat concept! Beki Hemingway, now residing in Nashville, Tennessee, has a full collaborative project with Minneapolis, Minnesota’s Jonathan Rundman. The project’s title makes all the sense in the world (or at least in the United States of America): Tennesota, a play on the artists’ states and the Americana music encompassing this project.

Take the name of this project to heart. If you’re new to Beki Hemingway and have only heard Words for Loss for Words (2002) or Too Much Plenty (1999), you may be in for a surprise. Beki’s early music (think This Train or rinse. repeat) and Jonathan Rundman’s style and quality have always mirrored each other well. They’ve worked on each other’s recordings and pressed a limited edition EP Christmas collaboration CD, Present. Read Brian A. Smith’s December 23, 2001 review of Present which is a very good prelude to a description of Tennesota.

As Brian notes of the Christmas project, it’s “in the acoustic country/rock/Americana vein, featuring banjo, mandolin, accordion, and steel guitar,” and as soon as I popped in Tennesota and heard drums, acoustic guitar, melodica, and a heavy bass beat with Beki and Jonathan’s strong harmonies all in perfect sync – I was all smiles and pleased to hear the earthy, down-home quality that I loved so much in the Present project. This quality that does indeed equal “Americana” flows beautifully from the first notes of «You Never Last Where You Land» through the end of «Consolation Prize». Reminiscent of Rundman’s Field Recordings also, if you liked that one, you’ll love Tennesota.

Here’s how Tennesota was made. There are a couple of tunes where Beki and Jonathan worked together directly, but for the most part, the two sent recordings to each other, and the project was produced by Rundman and Randy Kerkman (Beki’s musical collaborator-producer-husband). Kerkman did the majority of the mixing and adds a dandy tune, «Alone in a New City», as well as collaborating with Beki and Jonathan on «Consolation Prize».

The songs here are all very, very good with a couple of gems to note. I plan to use «Hometown» in a Sunday School class when we’re discussing Jesus’ return to Nazareth (from Luke 4 – where he read Isaiah’s words, rolled up the scroll and sat down, angering folks in his hometown). Fans of Beki who have heard concert renditions of «Mary’s Song» are in for a treat with the studio recording. Jonathan always has unique lyrics that leave listeners scratching their heads, then saying “Oh, yeah! That makes sense!” For example, from «Forgiveness Waltz»: “It’s like a dance, it’s like a wheel / less like math, less like a deal / more like a desert becoming a field / we can start over, we know forgiveness.” Finally, I do not own a pickup truck, but I want to buy one and drive through some desert somewhere looking for a lonely old motel after hearing «Vacancy Sign» and «Consolation Prize». This project really does live up to its moniker term, “Tennesota,” meaning “Americana.”

My sole problem – more frustration than anything else – with Tennesota is that at just over 40 minutes, it’s too short. I would have welcomed a live tune or two or three popped in here and there, at the artists’ discretion to keep that good flow going. [Olin Jenkins, The Phantom Tollbooth, 13 July 2004]

> iTunes (https://music.apple.com/us/album/tennesota/39320694)

CD tracklist:

01. You Never Last Where You Land
02. Alone In A New City
03. Hometown
04. Easy Chair
05. List Of Things To Do
06. Everything To Everyone
07. No Regrets
08. Mary’s Song
09. Vacancy Sign
10. Forgiveness Waltz
11. Consolation Prize